THE BREADTH AND ACCURACY OF THE MONOLOGUE IN THE WORKS OF ABISH KEKILBAYEV «URKER», «YELEN-ALAN»

Abstract

The inner monologue approach, which has experienced a huge historical experience, the
evolution of development, occupying the period from the myth of the distant antiquity to the novel, a huge,
complex genre that has grown to the present, has acquired its true artistic function only in written literature,
especially in prose. He established his place in literature through artistic prose, entered the scientific
circulation and received a scientific and theoretical definition, the internal monologue approach took place
in the prose of the beginning of the twentieth century in Kazakh literature. A simple, traditional monologue,
often used episodically as a character's inner game or as a way to communicate the character, has
experienced a stage of qualitative growth during this period. It has now become an independent approach,
that is, an internal monologue, although it has not been permanently separated from the simplicity of
speaking only a character in a work of art, systematically expressing his inner thoughts.